




Crumb: Jinx Vinyl LP
The four members of Crumb met at Tufts University in Boston a few years ago, forming as a vehicle for Lila Ramaniâs songwriting. Two solid EPs later they hit with this self-released debut album Jinx, inspired by their meteoric rise, a near fatal car accident and the production sound of Arthur Verocai. At every turn on Jinx the crew churn out dazzling psych pop snacks without ever becoming predictable, and although weâre reminded of similarly cute and young bands like Barrie and Men I Trust, itâs clear that Crumb arenât at all concerned with creating the perfect pop song. For every memorable riff or sugary vocal on Jinx, thereâs a jazzy modulation / tempo change (âPart IIIâ) or detuned synth buzzing like an angry wasp (âAnd It Never Endsâ) to disorient you. Ramaniâs gliding vocals on âNinaâ and âFall Downâ vaguely recall Kevin Parkerâs lackadaisical meanderings, albeit backed with more imaginative / less claustrophobic instrumentation. You could draw connections to Stereolab or Broadcast, but I honestly think Crumb are too young to have been inspired by (or rip off) those bands, so the results of their psych / jazz / pop stew are refreshingly original (âall of my heroes are people I know,â sings Ramani on âFacesâ). A less European / more weeded version of Melodyâs Echo Chamber, maybe. Check out âGhostrideâ âM.R.â âCracking,â âJinx,â âFacesâ and bonus track âBetterâ which you wonât find on digital versions of the album. Recommended.
- black vinyl pressing
- contains exclusive bonus track 'Better'
- printed foldout lyric insert
- music label:Â Crumb Records 2019
reviewed by Isosceles Kramer 06/2019
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Description
The four members of Crumb met at Tufts University in Boston a few years ago, forming as a vehicle for Lila Ramaniâs songwriting. Two solid EPs later they hit with this self-released debut album Jinx, inspired by their meteoric rise, a near fatal car accident and the production sound of Arthur Verocai. At every turn on Jinx the crew churn out dazzling psych pop snacks without ever becoming predictable, and although weâre reminded of similarly cute and young bands like Barrie and Men I Trust, itâs clear that Crumb arenât at all concerned with creating the perfect pop song. For every memorable riff or sugary vocal on Jinx, thereâs a jazzy modulation / tempo change (âPart IIIâ) or detuned synth buzzing like an angry wasp (âAnd It Never Endsâ) to disorient you. Ramaniâs gliding vocals on âNinaâ and âFall Downâ vaguely recall Kevin Parkerâs lackadaisical meanderings, albeit backed with more imaginative / less claustrophobic instrumentation. You could draw connections to Stereolab or Broadcast, but I honestly think Crumb are too young to have been inspired by (or rip off) those bands, so the results of their psych / jazz / pop stew are refreshingly original (âall of my heroes are people I know,â sings Ramani on âFacesâ). A less European / more weeded version of Melodyâs Echo Chamber, maybe. Check out âGhostrideâ âM.R.â âCracking,â âJinx,â âFacesâ and bonus track âBetterâ which you wonât find on digital versions of the album. Recommended.
- black vinyl pressing
- contains exclusive bonus track 'Better'
- printed foldout lyric insert
- music label:Â Crumb Records 2019





















